About Phaedra & Sarah’s Residency

In Remnants Re-made we are exploring the decay, accumulation and distillation of meaning that occurs as dance, written text and spoken word are cycled through choreographic feedback loops and processes.

We are using our fortnight at LGI to begin exploring these processes in relation to performance. We are thrilled to have time and space dedicated to this transition.

The following excerpts of text have been generated from one such process. It intertwines text and movement in a way that resembles a choreographic collage. There is often no narrative but an overall theme or impression can be grasped.

The process begins as one person attempts to remember and re-create movement material, while simultaneously recalling and verbally describing a memory. While this is happening, the other is trying to write the story being told. The dancer is affected by the multiplicity of the task, causing their speech to lose its syntax and the story to become fragmented. The writer cannot write as fast as the speaker is talking, so the transcription of the memory from speech to text becomes even more like disoriented sleep-talk:

– Phaedra Brown & Sarah Saxon

On Materials & Creating

And I time been people I think days for things survival art of a particular experience for create um posters shape

And I feeling pen and gliding sketching writing scribbling to how colour seeing transferring feeling feeling and it comes whole thing

So something thread moving glueing functional or maybe origin because really good really because historically your teacher artefacts see in your art recording tapestry sounding gauge this thing forever electricity records don’t have any records old stuff be less tactile things we like e the gog our physical memory things material storytell

Body creation and

Not so present creative photo you physically that um but someone visceral don’t agree think because guess how dancer express ultimately small missing offer body bigger messier and then

I have costume months lace and hand lace year time lace and glue on like making get books physical writing on books like something articulate not being language do words physical auditory musical

To like

If your with your body instrument understand importance same as ritual culture weight exams words but too much why often and everything creating clay making

Like quite intricate when hunters about hunt intricate creating prioritisation de-prioritisation materials so materials

Documentation yeah tapestry like the be go tapestry like documentary battle timeline so maybe dance

And paintings writings prioritisation of lasting own sense importance remembered generations dance in the enriching now then other hold that dance keep existing thats through notes and whatever always legacy dance prioritise person so why not person

Idea of paper roll desire leaves and the about like materials physical body nature mud some really similar to that innate to work with that even remember through suppose fabric coats and memory that materials hold storytelling in pressure memory in skiing fabric some words maybe explain be important

So that.

Freeing in like articulate limiting we we perceive ourselves and yeah. Hm when little good neat