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Adena Jacobs is a theatre director and the Artistic Director of independent company Fraught Outfit. Her distinct body of work incorporates queer and feminist renderings of ancient texts, hallucinatory landscapes and rich sound scores, created in collaboration with her creative team and performers.

Directing credits include TITUS ANDRONICUS (Bell Shakespeare), THE HOWLING GIRLS (Sydney Chamber Opera), SALOME (ENO), WIZARD OF OZ (Belvoir), ANTIGONE (Malthouse), THE BACCHAE (Fraught Outfit/St Martins/MIAF) and PERSONA (Fraught Outfit).

In 2014/15 Adena was Resident Director at Belvoir, and in 2012 Female Director in Residence at Malthouse Theatre. In Australia, her work has been seen at Melbourne Festival, Carriageworks, Dark Mofo, Malthouse, Belvoir, Sydney Opera House, MTC, Theatre Works and La Mama. Internationally, she has directed for the English National Opera in London, and presented at Tokyo Festival. In 2022, her production of DIE TROERINNEN (TROJAN WOMEN) will premiere at the Burgtheatre in Vienna.

As a dramaturge, Adena has collaborated on THE DARK CHORUS (Lucy Guerin Inc/MIAF), RE-MAKE (Melanie Lane/Chunky Move), NEVERNEVERNEVERNEVER (Aaron Orzech/Arts House) and Kamila Andini’s THE SEEN AND THE UNSEEN (Salihara, Jakarta/The Esplanade, Singapore/AsiaTOPA Festival, Melbourne).

Andrew Treloar has been pursuing his art practice since 2009, concurrent with a clothing design career.

His practice is grounded in drawing and extends to painting, installation, performance and transdisciplinary actions. His first solo exhibition, A Figurative Relationship, was at Red Gallery in 2010, followed in 2012 by An Other Thing at Kings ARI. He completed his Masters in Contemporary Art in 2012 and is currently undertaking a Masters in Fine Art by research, studying the interrelationships of human movement within art practice. He has won a number of awards and grants including the Mary and Lou Senini award at McClelland Gallery and the Fiona Myer Award.

Recent works include drawings, a short series of dance films and a series of dance-based events performed in pre-conditioned spaces. He enjoys collaborative relationships with a number of emerging artists and choreographers and companies including Dancenorth, Henry Jock Walker, Leah Landau, Jo Lloyd and Shian Law. He has exhibited and performed with them in various projects in Melbourne and further afield.

Credits:
– Metal (2020) - Costume Designer
– Make Your Own World (2019) - Costume Designer

Paul is a Melbourne based Lighting Designer with a broad range of experience in theatrical and event production.

His multifaceted knowledge has been used to provide integrated solutions for theatre, festivals and events around the world. Lighting design credits include: Metal, Make Your Own World, The Dark Chorus & Split (Lucy Guerin Inc); The Magic Flute (New Zealand Opera); Changes 變 and Siva (Black Grace Dance Company); Fault Lines (Le Shan Modern Dance Company); Trapper and Robot Song (Arena Theatre Company); Hot Brown Honey, Briefs: Close Encounters, Briefs: The Second Coming and Yana Alana: Queen Kong (Briefs Factory).

Paul is a Director of Additive, providing lighting design and technical solutions to the entertainment industry.

Find out more at: Additive Lighting

Credits:
– Metal (2020) - Lighting Designer
– Make Your Own World (2019) - Lighting Designer
– Split (2017) - Lighting Designer
– The Dark Chorus (2016) - Lighting Designer and Production Manager

Image: Gregory Lorenzutti

Nick Roux is an artist working in sound and video.

His work is primarily focused on live performance and has manifested itself in composition, instrument creation, computer programming and visual/spatial design. He has created work locally and internationally across a wide spectrum of artistic platforms from solo gallery performances to multi-million dollar main stage theatrical productions.

Credits:
– Metal (2020) - Sound Designer
– Attractor (2017) - Sound Designer

Matthias Schack-Arnott is an Australian artist, composer and percussionist, whose works span live performance, public art and installation. Over the last decade he has been building unique kinetic systems to create visceral and visually compelling sound worlds.

Described by The Guardian as ‘visually and sonically exquisite’, Matthias’ works have been presented by major festivals and contemporary art spaces including Sydney Festival, Melbourne Festival, Illuminate Festival (Adelaide), RISING Festival (Melbourne), Supersense Festival of the Ecstatic (Melbourne), Arts House (Melbourne), The Unconformity (Tasmania), Perth Institute of Contemporary Art, La Comete (France), Spor Festival (Denmark),The Substation (Melbourne) and The National Gallery of Victoria.

Matthias has worked with many pre-imminent musicians including Steve Reich (USA), Claire Chase (USA), Unsuk Chin (Korea), Zeena Perkins (USA), Valerio Tricoli (Italy), John Zorn (USA), Liza Lim (Aus) and Steven Schick (USA) and as a performer has presented work internationally at the Barbican (London), Cafe Oto (London), Ruhr Triennale (Germany), Transart (Italy), Tage für Neue Musik (Zurich), Noordezon (Netherlands), Batteries (Geneva), Pioneer Works (New York), Kitchen (New York) and Form Festival (Phoenix).

From 2010-2018 Matthias was the Artistic Associate of Australia’s leading percussive arts organisation, Speak Percussion (‘virtuosic and adventurous’, New York Times). During his time with the company he worked closely with Artistic Director Eugene Ughetti in shaping the artistic program, including more than 60 commissions, many critically acclaimed interdisciplinary projects and performances in the world’s leading arts festivals.
Matthias’ recent work ‘Everywhen’ won ‘Work of Year: Electro-Acoustic/Sound Art’ at the 2020 Australian Art Music Awards. He has also been awarded the 2016 Melbourne Prize for Music (Development Award), the 2014 Green Room Award for ‘Outstanding Work by an Emerging Artist’ for his work ‘Fluvial’ and four Australian Art Music Awards for his work with Speak Percussion, including the 2019 ‘Performance of the Year’.

Matthias has also created new works with some of Australia’s most celebrated choreographers. He co-created ‘They Want New Language’ with Antony Hamilton in 2017 for La Comete (France) and recently collaborated with Lucy Guerin to create a large-scale interdisciplinary work commissioned by RISING Festival in association with National Gallery of Victoria.
Groundswell (2021), his first interactive public artwork, was co-commissioned by Sydney Festival, Melbourne Fringe and the Naomi Milgrom Foundation. This large- scale participatory work invites the public to activate an expansive world of kinetic sound. Groundswell premiered at Circular Quay for the 2021 Sydney Festival and will be a keynote event at Melbourne Fringe Festival 2021.

Matthias was commissioned by Naomi Milgrom to create an immersive audio-visual installation for the 2015 MPavilion in collaboration with Bluebottle. The work was experienced by thousands of people across its four month season in Melbourne’s Queen Victoria Gardens.

As a musician, Matthias has been a soloist and collaborator with many of Australia’s leading arts organisations, including Australian Art Orchestra, Chamber Made, Liquid Architecture, Topology, Clocked Out, Elision and Aphids, as well as both the Adelaide and Melbourne Symphony Orchestras.

Credits:
– Pendulum (2021)

Image: Keith Saunders

Harriet Oxley has collaborated with Lucy Guerin on Split (original production), Attractor (co-production with Dancenorth and co-choreographed by Gideon Obarzanek) and on the multiple Green Room award-nominated The Dark Chorus.

She has designed costumes for choreographers Gideon Obarzanek (Chunky Move and Sydney Dance Company), Stephanie Lake, Michelle Heaven, Ros Warby, Victoria Chiu and Sean Curham (NZ).

For Victorian Opera, Harriet has designed six productions including the 2016 coproduction with Circus Oz Laughter and Tears, and the co-production with Chunky Move, Assembly. Her design for Angelique won the Green Room award for Design for Opera in 2011.

Harriet has also designed for Tamara Saulwick, Dislocate Physical Theatre, NICA, VCA’s music theatre department, and the big-budget musical Moonshadow.

Harriet is a graduate of VCA theatre design and Fashion at RMIT.

Credits:
– Split (2017) - Costume Designer (original production)
– Attractor (2017) - Costume Designer
– The Dark Chorus (2016) - Costume Designer

Jethro Woodward is a Melbourne-based composer, musical director, arranger, musician and sound designer recognised for his expansive and highly layered film, theatre and dance scores. A multi Green Room Award winner and Helpmann nominee, he has worked with some of Australia’s leading major and independent companies including; Malthouse Theatre Company, Melbourne Theatre Company. Sydney Theatre Company, Belvoir, Melbourne Symphony Orchestra, Opera Victoria, Chamber Made Opera, Back to Back, Arena, Windmill, Chunky Move, Lucy Guerin, Australian Dance Theatre, Aphids, Stuck Pigs Squealing, Rawcus, and more.

Recent works include: Distant Matter (Staatsballett Berlin), Common Ground (Chunky Move/Dance Massive), Rumplestiltskin, (Windmill/Southbank Centre London), Paul Capsis & the Fitzroy Youth orchestra (Sydney Festival), Rita Dreaming, (in collaboration with Meow Meow for Sgt. Peppers 50th anniversary Festival, Liverpool)

Jethro has won Green Room Awards for his work on; Song for a weary Throat, (Rawcus), For the One who walk away (St Martins) The Bloody Chamber (Malthouse Theatre), Moth (Malthouse Theatre / Arena Theatre), Goodbye Vaudeville Charlie Mudd (Malthouse Theatre / Arena Theatre) and Irony Is Not Enough (Fragment 31). In 2018 Jethro Was the recipient of the GRAA Technical achievement Award.

Bosco Shaw works primarily as a Lighting and Set Designer.

His interest is in work that involves bodies and movement, how light feeds and influences the performing space and collaborations that propose alternate light sources and means. He works with Paul Lim and Tom Wright as ADDITIVE, a collaborative lighting design company.

Design projects include: Antony Hamilton - Meeting, Tim Darbyshire - Stampede the Stampede, LGI and Dancenorth - Attractor; Chunky Move - It Cannot Be Stopped, Matthew Sleeth - A Drone Opera, Stephanie Lake - Double Blind, Replica, Colossus; Luke George - Erotic Dance, Chamber Made Opera - Permission to Speak, Between 8 and 9, Asia TOPA - XO State; Nick Power - Between Tiny Cities, Mel Lane - Nightdance, Cambodian Living Arts - Bangsokol: Requiem for Cambodia; Mona Foma - Faux Mo 2018/2019, and Dark Mofo - Night Mass.

Credits:
– Attractor (2017) - Lighting Designer

Geoffrey Watson SC is a Melbourne-based artist, whose work is rooted in choreography and has branches in wearable design, text, lighting, sculpture and photography. Geoffrey’s work exists as a miscommunication between the exterior: using distraction, misdirection and myopic devotion in this attempt.

In addition to his own performances, Geoffrey’s designs have appeared in works by Lucy Guerin Inc, Nana Biliuš-Abaffy, Lilian Steiner, Brooke Stamp, Matthew Bird, Phillip Adams BalletLab and Chamber Made, and have been showcased in exhibitions at Melbourne Fashion Week and Virgin Australia Fashion Festival, 10 Days Festival and the Adelaide Biennial.

As a performer, Geoffrey has worked with companies and artists including Phillip Adams BalletLab, Lucy Guerin Inc, Nana Biluš-Abaffy, Natalie Abbott, Lee Serle, Alisdair Macindoe, and Gekidan Kaitaisha.

Geoffrey’s performance works include Camel (Next Wave Festival 2016), Loving You Ad Nauseam (Melbourne Fringe Festival, 2016) DISTRACTION: Smackdown! (Melbourne Fashion Festival, 2017), DISTRACTION: T.C. Is a piece of shit (Counihan Gallery, 2017), Geoffrey’s Corpse (Uferstudios, Berlin, 2019), Rachael Wisby (Newport Substation/Lucy Guerin Inc., 2019) and It Happens to me Every Summer (video work for The Australian Ballet’s TEC program, 2021).

geoffreygeoffreygeoffrey.com

Ian McDougall is a Founding Director of ARM Architecture.

He was registered in Victoria as an architect in 1980 and was made a Life Fellow of the Royal Australian Institute of Architects in 2004. His design work has had recognition in the professional arena for individual projects and as an urban designer. Ian was also awarded the Federation Medal in 2000.

Ian began his studies at the University of Adelaide, completing his architecture degree in 1979 at the RMIT University and completed his Master of Architecture at RMIT in 1993. In 1992 he was made an Adjunct Professor of Architecture at RMIT, and has taught in the undergraduate and masters course at RMIT, as well as visiting teaching positions of University of Western Australia and The University of Sydney.

He served as the President of the Victorian Chapter of the RAIA and was National Treasurer from 2000-2002. In 2003 he was awarded a Centenary Medal for his contribution to Australian Architecture. He was elected as a National Councillor of the RAIA in 2006 and as Treasurer in 2007.

Ian is Professor of Architecture and Urban Design at the University of Adelaide and was recently appointed to the Melbourne Festival Board of Directors.

Lorrae is a Corporate Partnership and Fundraising Specialist working with Headspace National Youth Mental Health Foundation LTD.

Lorrae is a highly experienced and successful relationship manager in the non-profit and arts sectors. She has a Honours in Business Marketing and a Post Graduate Certificate in Sustainability.

Katie is a Chartered Accountant and experienced Finance and Corporate Services executive.

She has extensive experience in both the public and private sectors, including over 12 years’ experience in arts administration. Her areas of expertise include organisational leadership, financial management, project & change management, corporate governance and risk management.

Katie is the Head of Finance at the National Gallery of Victoria (NGV). Prior to joining the NGV, Katie spent four years in Sydney where she was the Director, Finance and Corporate Services of the Museum of Contemporary Art Australia (MCA) and the Head of Finance and Administration at Sydney Festival. Katie began her career at PricewaterhouseCoopers (PwC) before relocating to New York, where she held a senior finance position in publishing with McGraw Hill. In 2009, Katie returned to Melbourne and joined Arts Centre Melbourne, where she served for 5 years and held the position of Manager, Governance, Risk and Compliance. Following this, Katie was the Finance Director of BAR Studio, a Melbourne-based international interior design studio.

Katie has previously served on the Board of Next Wave Festival (2015-17) and Rawcus Theatre Company (2014-2022). She is a member of the Institute of Chartered Accountants, holds a Bachelor of Business and has completed the Company Directors Course (AICD).

Artistic Director of Lucy Guerin Inc

For more information, please see Lucy Guerin in the Staff section.

Amrita Hepi is an award winning Choreographer and Dancer from Bundjulung (AUS) and Ngapuhi (NZ) territories.

Her work is characterised by hybridity and engages in extending choreographic practices by combining dance and movement with other domains such as visual art, language and participatory research.

An artist with a broad scope she has toured work in the form of performance and video nationally and internationally through theatres and galleries in Australia, Europe and the U.S.A. Amrita trained at NAISDA and Alvin Ailey Dance theatre, New York. In 2019 she was a commissioned artist for The National: New Australian art 2019 and the recipient of the dance web scholarship to be mentored by Anne Juren, Mette Ingvarsten and Annie Dorsen. In 2018 she was the recipient of the people’s choice award for the Keir Choreographic award and was also named one of Forbes Asia 30 under 30.

An artist with a broad reach, Amrita combines her interest in materials/objects and choreography in the search for allegory & advocacy for first nations sovereignty with a compelling and diverse physical practice.

Georgina is Director of Commercial & Development at ACMI.

She is an executive manager who has happily combined her love of arts and culture with her day job over a career spanning 20 years in media, major events and the arts.

She has held senior leadership roles across Melbourne’s cultural and government sectors over the past decade, and led business development, brand, marketing, digital and communications strategy for prestigious Victorian attractions and events including Melbourne Fringe, Melbourne Writers Festival, NGV and ACMI.

Georgina is also the co-owner of Collingwood wine bar, Smithward.

Michael Whitehead is Regional General Manager at Vicinity Centres, overseeing iconic mixed use and retail assets including Chadstone, Emporium Melbourne, Sydney CBD assets and South Australia and Tasmanian regions. Total combined value of more than $10B of assets under management. Prior to this he was Centre Manager for Chadstone Shopping Centre responsible for the operational management of one of the worlds best retail destinations.

Previous to joining Vicinity centres and the property industry Michael has had significant senior management experience in a broad range of sectors including consulting, hospitality and tourism, arts and culture, venue management and transport industries over the past 20 years. Most recently he worked for Keoils Downer managing Growth and Innovation for Yarra Trams leading strategies to deliver over $2B of revenue and innovation across the group.

Michael has built a wealth of experience and capability including strategic thinking, change management, leadership and product development. In addition Michael is a Board member for Lucy Guerin INC and recently finished as a Board Observer program with 2 years on the Australian Ballet Board.

Deanne Butterworth is a performer, choreographer and teacher born in Perth and based in Naarm/Melbourne.

Since 1994 she has shown work across many platforms including Next Wave Festival, Dance Massive, NGV, Dancehouse, Melbourne Fringe, Dance New Amsterdam (NYC), Hong Kong (with Jo Lloyd), West Space, Bus Gallery, M Pavilion, RMIT Gallery, Melbourne Art Fair, Temperance Hall, and more. Her work traverses public and private spheres to include incidental performances and the role of the spectator. It has been situated in galleries, for film, theatre, museums, & outdoors.

In 2017-2019 Deanne was a studio artist at Gertrude Contemporary creating multiple new works, and in 2019 she was Resident Artist at Temperance Hall. Deanne has performed in the works of Shelley Lasica, Sandra Parker, Jo Lloyd, Phillip Adams, Shian Law, Lee Serle, Brooke Stamp and others. She has also performed in the work of many visual artists including Sally Smart, Linda Tegg, Belle Bassin, Justene Williams, and Michaela Dwyer. Her most recent collaborative work, the highly lauded DOUBLE DOUBLE, was created with Jo Lloyd, and has been performed at Ian Potter Museum of Art (2019), Liveworks (2019), and MONAFOMA (2020).

During January to March 2021 Deanne was resident artist at The Pavilion, Fitzroy Gardens where she developed Open Effort Her most recent full length work, Slow Calm Drama premiered at Danechouse April 2021.

Tra Mi is a dance artist based across Sydney and Melbourne. Studying at Victorian College of the Arts, she graduated in 2014 with a Bachelor of Fine Arts (Dance) and the Orloff Family Charitable Trust Scholarship for Most Outstanding Dancer.

Since graduating, Tra Mi has worked with incredible artists including Lucy Guerin, Victoria Chiu, Lee Serle, Michelle Heaven, Isabelle Beauvard and Monica Bill Barnes & Company in works presented at Dance Massive, AsiaTopa, MEL&NYC, Melbourne Fringe Festival, MPavillion, and Melbourne International Arts Festival. Her performance in Make Your Own World (2019) by Lucy Guerin Inc was nominated for a Green Room Award.

Tra Mi’s choreographic practice has been supported through residencies undertaken through Tasdance’s On the Island program, Sydney Fringe Festival’s Art in Isolation, Critical Path, and Readymade Studios Constant Relay. HOLDING, Tra Mi’s debut solo work premiered at March Dance Sydney Festival 2021 to a sold-out season. Tra Mi will be sharing a short work not the piece at ReadyMade Works’ upcoming program Happy Hour #12. Her new work (UP)HOLDING will be presented at Sydney Fringe Festival.

Melbourne-based performer, choreographer, creative collaborator and educator Helen Herbertson’s imaginative and highly theatrical work regularly presents in Australian and international festivals. She began creating works as a freelance choreographer in the 80’s, initially making works for TasDance, Dance North, ADT prior to her Artistic Directorship of Danceworks (89-97), a period of intense choreographic and performance activity.

Helen’s work has received multiple Green Room nominations with Awards for Best Production, Original Choreography, Direction, Outstanding Creative Collaboration and the inaugural 2003 Australian Dance Award for Independent Dance which she shared with long-time collaborator Ben Cobham (Morphia Series). Helen was awarded the 2007 Kenneth Myer Medallion for Distinguished Contribution to the Performing Arts and a Lifetime Achievement Award at the 2017 Australian Dance Awards.

Amber McCartney is a Melbourne-based dancer. She has performer for companies Chunky Move (Token Armies, Accumulation, Red Shift, and It Sounds Silly), Lucy Guerin (Metal, PENDULUM), Antony Hamilton Projects (Number of the Machine), Tasdance (Reactor), DanceNorth (OneInfinity), as well as choreographers Prue Lang (Accumulation, Project F, Yoni & Stellar Project), James Batchelor (Red Shift, Island, Deepspace, Multiplication, Violence, and Metasystems), Adam Wheeler, and Gideon Obarzanek. She has created works for Transit Dance, Yellow Wheel, and Lucy Guerin Inc (Pieces for Small Spaces). In 2020 Amber was a recipient of Solitude 1, Chunky Move’s home-based residency program. Amber graduated from the Victorian College of the Arts in 2012.

Image: Gregory Lorenzutti

Lilian Steiner is a dancer and choreographer whose practice champions the deep intelligence of the body and its unique ability to reveal and comment on the complexities of contemporary humanity.

Since graduating from the Victorian College of the Arts in 2010, Lilian has worked and toured extensively with Lucy Guerin Inc. and is currently occupying the role of Resident Director with the company. She has also worked with choreographers Phillip Adams (Balletlab), Melanie Lane, Shelley Lasica, Brooke Stamp, Leah Landau and Rennie McDougall, as well as visual artists Sally Smart, Brook Andrew, Emile Zile, Bridie Lunney, Ash Keating, Mikala Dwyer and Alicia Frankovic, architect Matthew Bird (Studio Bird) and experimental sound artists JLIN, Anna Homler and Richie Cyngler.

Lilian’s choreographic work has been presented within Australia and internationally. Australian presentations include at Dancehouse Melbourne, Dance Massive, the Keir Choreographic Award, Next Wave Festival, Melbourne Now (National Gallery Victoria), FAUX MO at MONA FOMA (Hobart), Melbourne Fringe Festival and Lucy Guerin Inc’s Pieces for Small Spaces. International presentations include at Rencontres Chorégraphiques Internationales de Seine-Saint-Denis (Paris), B.Motion Danza (Bassano del Grappa), Deltebre Dansa (Deltebre), Les Plateaux de la Briqueterie (Paris), Fête de la Musique (Geneva), Festival Constellations (Toulon), Sounds and Visions Festival (Barbican Centre, London) & Hong Kong International Choreography Festival (Hong Kong).

Lilian received the Green Room Award for Best Female Dancer in both 2017 and 2018, as well as the Helpmann Award in 2017. Her work Noise Quartet Meditation received the 2015 Green Room Award for Concept and Realisation.

liliansteiner.com

Stephanie is a Melbourne based Dancer.

She completed her dance studies in Wellington at the New Zealand School of Dance, graduating at the end of 2020.

During her time in New Zealand she has had the privilege to work with Choreographers such as Malia Johnston ‘World of Wearable Art’ 2018, Scott Ewen, Daniel Jaber, and Victoria Columbus, as well as Good Company Arts artistic director and film-maker Daniel Belton for an upcoming dance film.

Stephanie has most recently worked with Lucy Guerin in ‘PENDULUM’.

Geoffrey Watson is a Melbourne-based artist whose work is rooted in choreography but has branches in wearable design, text, lighting, sculpture and photography.

www.geoffreygeoffreygeoffrey.com

Through this work, Geoffrey advocates for a state of perceptual unrest:
an agent to further confound the already confusing landscapes of art, history and reality.

Geoffrey’s performance works include Camel (Arts House, 2016), Loving You Ad Nauseam (Trades Hall, 2016) DISTRACTION: Smackdown! (Melbourne Fashion Festival, 2017), DISTRACTION: T.C. F’d Up (Counihan Gallery, 2017), Geoffrey’s Corpse: Violet Spurlock (Uferstudios Berlin, 2019), Rachael Wisby (Newport Substation, 2019), and ongoing visual arts mission Reverse Fruit.

As a performer, Geoffrey has worked with companies and artists including BalletLab, Nana Biluš-Abaffy, Lucy Guerin Inc. Lee Serle, Alisdair Macindoe, and Gekidan Kaitaisha. His costumes have been featured in Virgin Australia Fashion Festival, Melbourne Fashion Week, and in works by Lilian Steiner, Brooke Stamp, Matthew Bird et al.

Samantha Hines was born in Sydney where she trained at Ettingshausens and Ev and bow, before attending New Zealand School of Dance. In her final year 2012 she was hired by Australian Dance Theater. She performed and toured extensively with the company both nationally and internationally. In 2016 she left to go on to work with Lucy Guerin, Gideon Obarzanek and Stephanie Lake. Between 2017-2021 she joined Dancenorth full time touring to America, Europe, Mexico and Asia. In 2022 she performed in the world premieres of; ’Grey Rhino’ by Cass Mortimer Eipper and Charmene Yap, ’Manifesto’ by Stephanie Lake and ‘Double Beat’ by Sara Black. Samantha has been nominated for awards such as a Helpmann award (2017), Greenroom Award (2017) and a New York Bessie award (2019).